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Slide Notes

After all professional tripods are heavy, expensive, and more dangerous to the general public and, therefore to law enforcement, than firearms. (photography humor)

You have spent all or most of your photographic equipment budget on your camera body and lens. Therefore, all of your photography should be perfect. Bad news. You have only just begun.

• It comes down to how honest and critical your self-evaluation will be. Typically beginning students will tolerate significant flaws in their photographic strategy – like blurry images. However, as a student of photography gains sophistication, they grow weary of “soft” images due to motion blur.

• They recognize, viewing their image on a quality monitor, a lack of resolving power when they employ too slow a shutter speed, or too narrow a depth-of-field (wide aperture), or both. They learn to distinguish between missed focus and the aforementioned shortcomings.

• They admit to themselves that there are times when a slow shutter speed is necessary or desirable. They have mastered the inverse focal length rule (1/focal length) which undeniably stipulates when a shutter speed is too slow for a given focal length choice while handholding the lens.
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Why Bother With a Tripod?

Published on Jul 13, 2017

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PRESENTATION OUTLINE

Why Bother With a Tripod?

After all professional tripods are heavy, expensive, and more dangerous to the general public and, therefore to law enforcement, than firearms. (photography humor)

You have spent all or most of your photographic equipment budget on your camera body and lens. Therefore, all of your photography should be perfect. Bad news. You have only just begun.

• It comes down to how honest and critical your self-evaluation will be. Typically beginning students will tolerate significant flaws in their photographic strategy – like blurry images. However, as a student of photography gains sophistication, they grow weary of “soft” images due to motion blur.

• They recognize, viewing their image on a quality monitor, a lack of resolving power when they employ too slow a shutter speed, or too narrow a depth-of-field (wide aperture), or both. They learn to distinguish between missed focus and the aforementioned shortcomings.

• They admit to themselves that there are times when a slow shutter speed is necessary or desirable. They have mastered the inverse focal length rule (1/focal length) which undeniably stipulates when a shutter speed is too slow for a given focal length choice while handholding the lens.
Photo by Thiophene_Guy

Sharp Resolving Power

They begrudgingly acknowledge the fact that photographers need three legs not just two. (more photography humor)

They reluctantly research the options.

• Soon they find a plethora of choices - camera stabilization options from the prohibitively expensive to zero dollars, and everything in between.

• They discover diverse solutions that are exceedingly versatile made of high quality components priced over one thousand dollars, or a beanbag for the price of beans. Or, if they are clever and master the variables, a price tag of less than beans – ZERO dollars if they nest their camera up against a poll, a rail, or a rock, for example.

• The central issue is recognizing when a shutter speed choice is too slow to handhold, and then to DO something about it.
Photo by Insidiator

Intended Results

It is not about money, weight, or complexity. We have just grazed the surface in this presentation.
Photo by Ronaldc5