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roman theatre

Published on Nov 22, 2015

Roman Theatre II

PRESENTATION OUTLINE

roman theatre

II
Photo by kewing

drama:

Introduced allusions into the original stories
Photo by dherman1145

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  • LIVIUS ANDRONICUS:  (240-204)
  •              translator & tragedian
  • GNAEUS NAEVIUS:  (270-201)
  •               comedian...but wrote both
Photo by Ryan Somma

pantomime

Photo by janwillemsen

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  • solo dance
  • lutes, pipes, cymbals, chorus
  • masks
  • mythology
  • seriocomedic
Photo by Wonderlane

mime:

Photo by Thom Watson

after 2nd century A.D

  • spoken, short satires
  • elaborate, but no masks
  • had women!
  • Violence & sex depicted literally (218-222)
  • Scoffed at Christianity
Photo by detherion

comedy:

Photo by Jockulator

only a pair:

  • TITUS MACCIUS PLAUTUS (254-184)
  •         21 extant plays, 130+ total (slapstick, music)
  •         Pot of Gold, The Menaechmi, Braggart Warrior
  • based on GNC, allusions, Latin dia, poetic meter, wit
  • STYCHOMYTHIA: dialog w/short lines (tennis match)
Photo by kabils

PUBLIUS TERENIUS AFER (Terence)

  • (195 OR 185-159)
  • Carthage...slavery...freedom
  • 6 including: The Brothers, Mother in Law
  • complex, contrasts, double plots
  • elegant language, Greek characters

Differences:

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  • chorus eventually abandoned
  • no acts or scenes
  • (Plautus: 3 songs:2/3) (Terence: 0:1/2)
  • Everyday domestic affairs
  • action placed in the street

tragedy:

Photo by Alain Dubois

None survived BUT

  • 1 known playwright
  • LUCIUS ANNAEUS SENECA (5 OR 4-65)
  • 9 extant tragedies, 5 adapted fr. Euripedes
  • popularity declined, committed suicide
  • closet dramas: never presented or expected to be
Photo by mmarftrejo

Senecan tragedy

CHARACTERISTICS:
Photo by mmarftrejo

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  • 5 EPISODES, acts divided by odes
  • Elaborate speeches...forensics begin!
  • SENTENTIAE: (short generalizations about the human condition)
  • Violence & horror onstage, characters dominated by a single passion
  • Soliloquies/asides/supernatural

theory:

horace (65-8)

  • Theoretician:  Ars Poetica 
  • Unpopular/Renaissance
  • Less Theory, more practice
  • UNITIES:  time, place, action

buildings

Photo by Matt Ohia

54 or 55 B.c.

  • up 5 ft. 20-40 deep 100-300 long, 10-15000 audience
  • 3-5 doors in rear wall & one in the wings
  • Skene=scaena; paradoi=vomitorium; 
  • orkestra section was cut in 1/2
Photo by compujeramey

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  • scaena frons
  • stage covered w/a roof
  • dressing rooms/trap doors
  • audience covered by awning
  • 78 b.c. things got COOL
Photo by ShellyS

circus maximus (600 B.C.)

12 chariots, 2000x650, 60,000 

amphitheatres (46 b.c.)

The colosseum (80 a.d)

  • gladiators, animals
  • 3-4 levels, 4,157x620x513 ft, 50,000 
  • animal elevators
  • periaktoi, many performers & spectacular effects
  • 3 dimensional scenery & curtains

the actors

Photo by Shawna Nicole

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  • Greek traditions survived:  masks, doubling
  • Tragedy: slow, declamatory
  • Comedy: rapid & conversational
  • think big! specialists! encores!
  • costumes/masks/music
Photo by Valentina_A

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  • famous:  Rocius...became nobility
  • mimes were inferior...
  • troupe size remains a mystery
  • the Diva is born! (1B.C.)
  • Theodora=*+ Justinian, retired. (6 a.d.)

curtain call

fall of the Roman Empire
Photo by sokokyu

6 A.D. christianity comeback

  • Emperor Constantine (324-337)  Christianity=legal!
  • Emperor Theodosius everything else illegal
  • 400:  no fests, 404:  no fights, 523: no Vicks 

& the church says: "NO!!!"

Round 1-6
Photo by tim caynes

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  • association with pagan gods
  • licentiousness
  • ridicule of church sacraments by mimes
Photo by alexlhoyt

& the winner, by unanimous decision

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  • the Roman empire begins to decay
  • Barbarians at the gates...
  • 533 A.D= last record of a performance
  •             this was mentioned in a letter...
Photo by Dorron