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Published on Nov 18, 2015
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1.
DANGEROUS PLACES AND WILD SPACES:
Creating Meaning With Materials and Space at Contemporary Maya Shrines on
El Duende Mountain
By Linda Brown
Photo by
Justin in SD
2.
EL DUENDE
Sacred mountain the Guadtemalan highlands
K'iche' Maya
Outdoor shrines at summit and at rock outcrops and rock shelters
Shrines for both positive and negative rituals
Photo by
Tucker Sherman
3.
THEORETICAL APPROACH
Ethnoarchaeology
Practice theory - Bourdieu
modern Maya ritual - gain an understanding of ancient Maya commoner ritual
ritual - form of action by which people strategically distinguish certain practices
Photo by
poritsky
4.
THREE KEY ACTIVITES
Involved in the construction of social meaning
1. Types of materials used as offerings
2. Ways an offering is deposited
3. Choosing the location of the deposit within the site
Through this, practicioners create the meaning and function if the rite
Photo by
judepics
5.
SACRED OBJECTS
ceremonial artifacts have 'ritual life-histories'
objects are assigned sacred value - singularization
Locations/buildings can also have a life history
Photo by
myyorgda
6.
EL DUENDE - SACRIFICIAL OFFERINGS
3 types of structures for offerings
1. Tabal - altar
2. Porobal - sacrifical offering hearth
3. Mal entierro - evil burial
Photo by
add1sun
7.
TABAL
Candles burned - represents food or other offering for deity
First place a ritual practicioner visits on the mountiain
Practitioner asks deities for permission to conduct ceremony
Practicioner will clean tabal and add new offerings of flowers/sweets
Tabal - either natural flat feature or man-made
Photo by
Michael Cavén
8.
POROBAL
For burning offerings -sacrificial offering hearth
Burning essential for rites - turns offering into smoke for gods
Rite of exchange - feed deity so they will do what you want them to
Ceremonias blancas and ceremonias negras - different offerings associated with each
Demarcate space for porobal with sugar, make pile of offerings, then burn it
Photo by
Jack Skipworth
9.
MAL ENTIERRO - EVIL BURIAL
Bury offerings in order to cause magical attack
Aj'itz - witch who conducts a mal entierro
Also used to remove attack by "throwing it back"
Anthropomorphic figure of copal, wax, clay, cloth, or meat
Photo by
[ henning ]
10.
EMBODIED SPACES
Relationship between space, ritual, and the body
Oppositional dicotomies based on orientation & balance
Up/high - powerful & beneficial
Down/below - dangerous & deceptive
Photo by
tallpomlin
11.
ROCKS AND ANCESTRAL SPIRITS
Encantos - animated spirits within rock formations
Have a specifc orientation - faces a direction
Orientation - determines how ritual practices and features are organized
Photo by
Christian Hacker
12.
ROCK SITES ON EL DUENDE
Lyom - midwife - female spirit - location of offering has difference meanings
El Dueno - owner - area for tabal rites and area for mal entierros
Los Encantos - the enchanted ones - site for mal entierros - three areas for different rituals
Los Huesos - the bones - tabal and hearths with lower area for mal entierros
Photo by
Marcus Vegas
13.
ORIENTATION AND RITUAL MEANING
Focal point - ancestral spirits which embody rock outcrops
Determine which rituals are conducted where
Tabal - closest to rock outcrop - marks focal point
Ceremonias blancas and negras are kept separate with negras farther away
Mal entierros - associated with the left - lower, periphery of site
Photo by
Elido Turco - Gigi
14.
RITUAL SPACE AND PRACTICIONERS
Sites used for good and bad rites and different types of each
Imitative magic - ceremonias blancas
Contagious magic - mal entierro
Combined location reflects duality of cosmology
Photo by
seanmcgrath
15.
WHAT DOES THIS MEAN FOR THE ARCHAEOLOGICAL RECORD?
Religious sites marked by tabal shrines
Try to interpret spatial organization of ritual space
Mundane artifacts acquire sacred status and enter record
Look at periphery of site to find 'dangerous' type pf ritual practices
Analyze spatial organization of hearths and ritual offerings
Photo by
Amen-Ra
16.
QUESTIONS?
Based on this where and how should we dig?
Are ethnographic correlations a good way to make inferences about the past?
Photo by
an untrained eye
Ash Simms
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