PRESENTATION OUTLINE
The Sound
- Expressive melodies
- Reminiscent of the human voice, complete with laughing and weeping
- Meant to imitate liturgical singing
- Often facilitates dancing ie. weddings
- Pace can slow to a near halt, picking up slowly, and then burst into a happy son again
- Blends Yiddish instrumental with jazz
Instrumentation
- Because of a history of persecution, klezmorim (musicians) preferred instruments that were portable
- Clarinet
- Violin
- Trumpet
- Accordion
- Cymbalom
Language
- Klezmer is generally instrumental, but often accompanies a wedding entertainer (emcee)
- Klezmer is often played in Jewish prayer "modes"
- Ahava Rabboh - "abounding love"
- Mi Shebeirach - "He who blessed"
- Adoyn-y Moloch - "My lord reigns"
- Yishtabach - "It shall become superb"
Klezmer is primarily a musical tradition of Ashkenazi Jews in Eastern Europe. There is also a Sephardic tradition that traces back to the 15th century expulsion of Jews from Spain.
Cultural History
- After the destruction of the Temple in 70 AD, rabbis discourages the used of musical instruments
- Musicians continued to emerge at weddings and celebrations for merrymaking
- Based secular instrumental music upon devotional vocal music of synagogues
- Strongly influenced by Romanian music
The word KLEZMER comes from the Hebrew words "tool to make music" and later became a pejorative to refer to musicians themselves. During the 16th to 18th centuries, this replaced the word LEYTES, or "clown."
"Klezmorim"
- Klezmorim and other entertainers continued to be looked down upon by rabbis, mostly for their traveling fun-loving lifestyle
- Many faced persecution in Ukraine, etc.
- In the U.S., Yiddish-speaking Jewish immigrants from Eastern Europe arrived between 1880-1924, coming into contact with American jazz
Famous Klezmer Bands
- The Klezmatics
- The Klezmorim
- The Klezmer Conservatory Band
- Kapelye
- Burning Bush
- Dave Tarras
Klezmer has continued to influence world music by providing traditional inspiration to Jews the world over and making new connections with avant-garde jazz, third-wave ska, and New Orleans funk among many other genres