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Copy of The 1960s- The dealer, the Critic, and the Independent Curator

Published on Nov 20, 2015

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MORE DECKS TO EXPLORE

PRESENTATION OUTLINE

1.

THE 1960S- THE DEALER, THE CRITIC

AND THE INDEPENDENT CURATOR
2.

THE DEMATERIALIZATION OF THE ART OBJECT

ARTISTS BEGIN TO EXPLORE NOTIONS OF SPACE AND TIME
3.

"THE WORD ART IS BECOMING LESS OF A NOUN AND MORE OF A VERB."

-ROBERT BARRY, 1969, A KEY FIGURE IN THE CONCEPTUAL REVOLUTION
4.

INSTALLATION AS AN ARTISTIC MEDIUM

CLAES OLDENBURG'S THE STORE (1961)
5.

ANTI-ILLUSIONS: PROCEDURES/MATERIALS (WHITNEY MUSEUM, 1969)

DIDACTIC VS. INVESTIGATIVE EXHIBITIONS
6.

THE CURATOR, THE ARCHIVE, AND THE ARCHITECTURE

DIVISION OF LABOUR: DESIGN, EDUCATION, AND COMMUNICATION
7.

THE PHRASING OF AN EXHIBITION

THE GALLERY ACTS AS PARAGRAPH, INDIVIDUAL WORKS AS WORDS
8.

THE VISUAL LITERACY OF THE VISITOR

THE EXHIBITION-MAKER SHOULD LEAD IMAGINATIVE AND INTELLECTUAL DISCOVERY

Erika Comtois

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