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599 Capstone

Published on Nov 18, 2015

Capstone presentation

PRESENTATION OUTLINE

EDEL 599
Capstone Presentation
by Michele Wilson

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About Me:

  • live in Spruce Grove with my family
  • passionate about nature, food, mother earth
  • taught in various contexts: rural/urban, Canada, Taiwan, Australia
  • taught wide variety of grades and subjects
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Current studies

  • Masters of Education in Elementary Education with a specialization in Language and Literacy
  • major focus: critical literacy
  • minor focus: importance of places and education in culturally diverse classroom
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Why do a masters?

  • to learn, grow andimprove my own skills and practices
  • to have new and different opportunities
  • to be able to assist / lead other teachers - learning coach
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What to choose

  • EVERY COURSE OFFERED NEW LEARNING AND GROWTH
  • Like fitting in the pieces of a puzzle that is being created as I go

EDEL 595:
Literacy Development
Through Drama and Literature -
Designing a Process Drama and Creating a Teacher Workshop

Process Drama - drama at the edges of the text. (Wagner, 1998; Wolf, 1997)
Using "Horton Hears a Who" to teach critical literacy to young children through drama.

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the Drama

  • a way to completely engage students by having them use their whole body / mind
  • utilizes critical thinking and higher level learning (Wagner, 1998).
  • a way to teach 4 dimensions of critical literacy: disrupting the commonplace, interrogating multiple viewpoints, focusing on sociopolitical issues and taking action / promoting social justice (Lewison, Seely Flint, & Van Sluys, 2002).
Reference:
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the Teacher Workshop

  • this exercise provided me with a useful presentation to take back to my colleagues - share
  • useful for the teacher leader/learning coach
  • helped me to think about my future role as a teacher with a masters - what do I have to offer my peers
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Highlights

  • Every class was a highlight for me
  • Each added new layers and dimensions to answering my questions surrounding critical literacy: What is it? Why teach it? How to teach it.
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future career

Teaching - leading - Researching
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Many Thanks to:

  • my super supportive husband, Dave, and children, Gaby, Danielle, Joel, and Rosie
  • my advisor: Dr. Linda Laidlaw
  • all my fantastic professors/mentors: Dr. Heather Blair, Dr. Julia Ellis, Dr. Florence Glanfield, Dr. Carol Leroy, Dr. Leonora Macy, Dr. Lynne Wiltze, and Dr. Joe Wu
  • my students
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References

  • Lewison, M., Seely Flint, A., and Van Sluys, K. (2002). Taking on critical literacy: The journey of newcomers and novices. Language Arts, 79(5), 382-393. Wagner (1998). Educational drama and language arts: What research shows. Portsmouth, NH: Heinemann. Wolf, S., Edmiston, B., & Enciso, P. (1997). Drama worlds; Places of the heart, head, voice, and hand in dramatic interpretation. In Handbook of research of teaching literacy through the communicative and visual arts (2nd ed., p. 492-504). New Jersey: Lawrence Erlbaum Associates Publishers
Lewison, M., Seely Flint, A., and Van Sluys, K. (2002). Taking on critical literacy: The journey
of newcomers and novices. Language Arts, 79(5), 382-393.

Wagner (1998). Educational drama and language arts: What research shows. Portsmouth, NH: Heinemann.

Wolf, S., Edmiston, B., & Enciso, P. (1997). Drama worlds; Places of the heart, head, voice, and hand in dramatic interpretation. In Handbook of research of teaching literacy through the communicative and visual arts (2nd ed., p. 492-504). New Jersey: Lawrence Erlbaum Associates Publishers