Early Christian -sculptures dating back from the 4th century were stylistically no longer corresponded to the classical ideal of beauty but centers on representation of the character in the bible.
Renaissance 2 principal components 1. Revival of the classical forms originally developed by the ancient Greeks and Romans. 2. An intensified concern with secular life.
Neoclassical -inspired mainly by the excavated figurines and sculpture in archeological sites of Greek and roman colony, some sculpture revived the Greek and roman tradition in its purest form.
Romanticism -a major movement in 19th century that happened when sculptors freed themselves from past models and their new works were created based on their imagination and appealed to emotions of the audience.
1. Dominant hegemonic meaning - the meaning that the maker wants to convey; 2. Oppositional meaning - meaning derived from the viewer's perspective opposite the maker's meaning. 3. Negotiated meaning - it comes from both the maker and the viewer.
Additive - is considered when working on a clay or terracotta figurine. Subtractive -working on marble and wood would require "subtractive process" where in unwanted and unnecessary portion of the material are chipped off using a chisel and hammer for the desired image to come out.
Carving -is a procedure that dates back from pre-historic times wherein the craftsman or artist cuts away undesired portion of the material until the desired image comes out.
Molding - it is a process of building up of form where a soft material could be easily shaped, bent or twisted to enable rapid execution of the design.
Assemblage - this process originated from the collage of Picasso and Baroque artists where three dimensional paintings are made out of assembling pieces of different materials.
The two preferred materials in sculpture are MARBLE and BRONZE. Some artist fashioned with other materials like: 1. Stone 2. Wood 3. Plastic 4. Clay 5. Terracotta.
Sculpturesque - primarily the artist is more concerned with the strength, durability and solidity of the material that is used than the details of the work;