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Slide Notes

Chapter 1: A Practical Guide to Graphics Reporting

Graphics Reporting as Visual Storytelling

Published on Aug 22, 2018

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PRESENTATION OUTLINE

Graphics Reporting as Visual Storytelling

JOUR 345: Chapter 1
Chapter 1: A Practical Guide to Graphics Reporting

Photo by t_a_i_s

Solid news judgment, a ferocious sense of curiosity and a dogged pursuit of answers are required, regardless of whether you're writing, making video or pictures, editing or creating information graphics --
Steve Duenes, graphics director, NYT

A designer knows he has
achieved perfection not when there is nothing left to add, but when
there is nothing left to take away
-- Antoine de Saint-Exupery

How did we get here?

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Communication via graphics is actually older than the printed word.

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And when written language does begin to evolve, many are symbolic or pictorial in nature.

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And even when we had text, not everyone could read. But the pictures could tell the story.

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Linotype revolutionized how we set type and gave us more news and information publications. We started exploring more ways to represent information as well including more maps and graphics.

Link to Video: https://www.youtube.com/watch?v=5slfQizimtg

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Then the Mac made us GUI. We could see and layout information and graphics...and store that information for later.
Photo by Jason Leung

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Now we use our digital devices to not only consume but to create content. Attentions spans are short. Graphics can make the difference if a story is engaged by a reader or not. And, thanks to USA Today's lead a decade ago, some stories are only visual. In some ways, we've returned to our roots.
Photo by rawpixel

How do graphics work for information dissemination and recollection?

The brain can process visual information about 60,000 times faster than text

Dual coding theory:
memory consists of two separate but interralated codes for processing information, one verbal and one visual.

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Cognitive theory of multimedia learning:
words and pictures together create optimal learning conditions, but they must be designed and edited to minimize distraction and optimize comprehension

What is your role as a graphics reporter?

Your role

  • Storyteller
  • Artist
  • Analyst
  • Opportunist

Have a plan

Creating a good story with graphics is like building with a good blueprint

Collaborate

Build the graphics in tandem with other components of the story (not after)
Photo by Kaleidico

But stand alone

Can the graphic by itself tell the story?
Photo by Jay Dantinne

Simple data metaphors

Be clear, concise and culturally relevant
Photo by William Iven

Finding graphics potential

Graphics potential

  • Look for visual cues in story
  • Simplify complicated information
  • Look for comparisons, dates, or other organizational facts
  • Do your own research
  • Clearly articulate your ideas
  • Know when to say "nope"

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Photo by Gaelle Marcel

Renee Clear

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