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Past to Present

Published on Nov 19, 2015

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PRESENTATION OUTLINE

Past to PResent

Evolution of the Hardware

1875-Elisha gray

  • Accidently discovered self vibrating electromagnetic circuit
  • Circuit led to invention of first basic single note oscillator
  • a Quaker from rural Ohio who grew up on a farm.
  • granted over seventy patents for his inventions
  • ounded the Western Electric Manufacturing Company

1899-Singing Arc

  • Turned the noise emitted by a carbon arc lamp into a novelty musical instrument
  • controlled by a keyboard
  • enabled the player to change the arc’s rate of pulsation
  • Changing the rate of pulsation produced notes

1902-Teleharmonium

  • Developed by Thaddeus Cahill in 1897
  • signal from Telharmonium was transmitted over wires
  • heard on the receiving end by means of 'horn' speakers.
  • known as an early electronic organ

1915-Audion piano

  • created by Lee De Forest , The self styled “Father Of Radio”
  • invented the triode electronic valve or ‘Audion valve’
  • the first vacuum tube instrument
  • first instrument to use a beat-frequency or “heterodyning” oscillator system
  • first to use body capacitance to control pitch and timbre

1919-Theremin

  • invented in 1919 by a Russian physicist named Leon Theremin
  • played without being touched.
  • Two antennas each controlling pitch, and volume
  • pitch gets higher when hand gets close to vertical antenna
  • if you get close to horizontal antenna makes the volume softer.

1929-Hammond b3

  • electric organ invented by Laurens Hammond in 1934
  • uses additive synthesis of waveforms mad by harmonic series made by tone wheels
  • There are two keyboards on the hammond organ
  • hammond B-3 Organ was the monist widely used and known
  • used in a lot of Blues music, Blues-Rock, and progressive rock music.
Photo by 1yen

1926-Pianorad

  • created in 1926 by an inventor by the name of Huge Gernsback.
  • polyphonic keyboard (play more than one note at a time)
  • 25 LC oscillators which the Pianorad contained hooked up to loudspeaker
  • sounds had no overtones and was purer than any other instrument.

1937-Melodium

  • previewed in 1938
  • monophonic touch sensitive keyboard instrument
  • used extensively for film music and ‘light music’ during the 1940′s.
  • comapred to that of Franklin’s Glass Harmonica
  • not suitable for mass production

1939/1940-Vocoder & voder

  • Voice Operated Recorder
  • Voice Operation Demonstrator
  • invented as result for telephone voice encryption
  • NJ first successful attempt at analysing and resynthesising the humans voice
  • Werner Meyer-Eppler noticed the relevance of the machines to electronic music

1940-Multimonica & harald bode

  • Bode studied physics and natural philosophy at Hamburg University
  • moved to Berlin in 1938 to complete a postgraduate course
  • Around this time is when he created the Melodium
  • in 1939 Bode worked on military submarine sound and wireless communication projects
  • in 1947 built first post-war electronic instrument, the ‘Melochord’.

1948-Musique concrete

  • meaning "concrete music" is a form of electroacoustic music that is made in part from acoustic sound.
  • use other sources electronic synthesizers or sounds recorded from nature.
  • based on production of electronically produced sounds rather than recorded sounds
  • developed by Pierre Schaeffer, beginning in the early 1940s.

1948-free music machine

  • created by musician and singer Burnett Cross and the Australian composer Percy Grainger
  • “free music” since 1900: based on eighth tones and complete rhythmic freedom and unconventionally notated on graph paper.
  • Graingers developing through process ^
  • experimented with Theremins and changing speeds of recorded sounds on phonograph disks
  • first experiments used a Pianola “player piano” controlling three Solovoxes by means of strings attached to the Pianola’s keys,

1959-oramics

  • developed by the composer and electronic engineer Daphne Oram in the UK during the early 1960s.
  • synchronised strips of 35mm film which covered a series of photo-electric cells
  • controlled the frequency, timbre, amplitude and duration of a sound.
  • direct relation of a graphic image to the audio signal

1959-side man

  • Rudolph Wurlitzer produced drum machine called the Sideman in 1959
  • 12 electronically generated predefined rhythm patterns with variable tempos.
  • The sound source was a series of vacuum tubes which created 10 preset electronic drum sounds.
  • different sets of rhythms and drum sounds created popular rhythmic patterns of the daywaltzes, fox trots
  • panel of 10 buttons for manually triggering drum sounds

1959-RCA Mark 2

  • built by Milton Babbitt and cost $500,000 to build.
  • additional 24 oscillators and took up ten 19" racks.
  • paper with holes for type of sheet music to create sound.
  • works well, terrible sound

1963-Mellotron

  • built in Birmingham, England, in the early 1960s.
  • superseded the Chamberlin
  • electro-mechanical, polyphonic tape replay keyboard
  • concept of the Chamberlin was itself modeled after the Laff Box
  • insert prerecorded laughs into TV and radio programs

1963-synket

  • built by an Italian engineer Paul Ketoff in 1962
  • designed for live performance of experimental music.
  • a portable voltage-controlled synthesizer
  • It was not marketed commercially

1967-moog

  • Robert Moog is considered the father of analog synthesizers
  • first Moog modular prototype was built in in 1964
  • commercially available product line by 1967
  • His synthesizers gave way to the modern ones we have today.
  • sold between $2,000 and $10,000 for complete systems

1969/1979-EMS Synthesizers

  • pic shows first commercial synthesizer,
  • produced in 1969 by David Cockerell
  • a versatile monophonic synth that retailed for 330 pounds
  • 3 voltage controlled oscillators, a noise generator, etc...

1963-buchla synthesizers

  • company was started by Don Buchla in 1963.
  • uses modular system
  • modular system is all of the parts of a synthesizer put together individually.
  • his modular system can patch together different sounds

1975-synclavier

  • early digital synthesizer (uses FM synthesis)
  • first prototyped in 1973 (as the Dartmouth Digital Synth.)
  • first 16-bit polyphonic digital sampling system
  • gave studios new recording capabilities they didn't have before.

1980-Tr 808/tb 303

  • TR 808-drum machine that revolutionized music
  • gave house, techno and hip-hop the language it still speaks today.
  • went out of production in 1983
  • TB-303-bass synthesizer with a built-in sequencer
  • designed for bands or guitarists practicing without a bass player.

1983-yamaha dx7

  • digital programmable algorithm synthesizer
  • came out in 1983, sporting the new MIDI interface.
  • DX7 and FM synthesis take off in a way the was unknown before for synthesizers.
  • can be heard on many recordings, especially pop music from the 1980s.

kurzweil synth/samplers

  • company launched the K250 synthesizer/sampler in 1984
  • first really successful attempt to emulate the complex sound of a grand piano.
  • inspired by bet with Ray Kurzweil and Stevie Wonder whether a synthesizer
  • could sound like a real piano