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Moral Dimensions of Japanese Aesthetics

Published on Nov 24, 2015

Art Studies 1 (Article Discussion) Moral Dimensions of Japanese Aesthetics by Yuriko Saito

PRESENTATION OUTLINE

Moral Dimensions of Japanese Aesthetics

Yuriko  Saito 

Outline

  • What is Japanese Aesthetics?
  • Overview of Japanese Aesthetic Concepts
  • Two Principles of Design
  • Zen Buddhism
  • Spatial Arrangement 
Photo by televiseus

Japanese Aesthetics is UNIQUE to Japan and DIFFERENT from other aesthetic traditions.

Photo by Darwin Bell

Japanese Aesthetics is morally based by promoting RESPECT, CARE and CONSIDERATION for others, both humans and nonhumans.

Both MORAL and AESTHETIC dimensions of Japanese culture have BLURRED relationship.

Photo by tanakawho

Two Dimensions of Design

  • Respecting the innate characteristics of materials
  • Respecting the intended user
Photo by peterjr1961

Respecting the Character of the Object

and how is it influenced by Zen Buddhism
Photo by Q[at]644c

Garden Design

Japanese gardeners maintained trees and shrubs by extensive manipulation.
Photo by obenchainr

The gardener “should first install one main stone, and then place other stones, in necessary numbers, in such as way as to satisfy the request of the main stone”.

IKEBANA
This art form begins by cutting off a living flower or a branch although its aim is to let flower express itself.

Photo by khass 2000

HAIKU
The ideal should be OBJECT centered rather than subject governed. One has to overcome personal feelings first.

Photo by Ryan Hageman

PACKAGING
Various packaging materials are designed not only for protecting the content but also for emphasizing their INNATE characteristics.

FOOD
Japanese food is well known for engaging all the senses. An important focus of Japanese food is the preparation of INGREDIENTS.

Photo by avlxyz

ZEN BUDDHISM
“Studying the Buddha Way is studying oneself. Studying oneself is forgetting oneself. Forgetting oneself is being enlightened by all things.”
Zen is optimistic about our ability to experience directly the thus-ness of the other.

Respect for Intended User

and how it helps in designing Spatial Arrangement
Photo by Einharch

LETTER WRITING
Exchanging of POEMS was the primary vehicle of courtship in this culture, and a person’s moral worth was assessed aesthetically by the style of calligraphy, type of paper, accompanying fragrance.

Photo by mrlins

TEA CEREMONY
Thoughtfulness toward the guest is the foundation of tea manners.

What is relevant is the host’s concern for the feelings of the guests which is expressed through aesthetic means.

Photo by Ame Otoko

Designing a Spatial Arrangement requires the ability to IMAGINE how the experience unfolds for its USER.

Photo by Jordan Emery

GARDEN
An effect is achieved by bridges, applying changing of axis, makes one pause in the middle of the bridge.

Photo by sliabh

The direction of the visitors’ movements is determined by the placement of stepping stones. Irregular positioning of each stone controls both the direction and speed of one's stroll.

Photo by Maria Keays

FOOD SERVING
The diner is to compose his own gustatory symphony. The advantage of this nonlinear way of eating is for wide range of tastes.

Photo by pointnshoot

PACKAGING
It provides aesthetic experience by inviting to take care and give time in unwrapping.


The layers of wrapping are a way of expressing care for the object inside and therefore care for the RECIPIENT of the object.

OUTLINE

  • Relevance to present situation of the arts
  • Relevance to Philippine context
  • Local examples based on issues raised
Photo by kenz_red

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