Introduction To Music Production: Modulated Short Delay Effects
Published on Nov 19, 2015
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PRESENTATION OUTLINE
MODULATED SHORT DELAY EFFECTS
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HELLO FROM BELARUS!
MY NAME IS PAVEL AND I AM GOING TO PRESENT YOU SOME INFO ABOUT SHORT DELAY EFFECTS..
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BEFORE DIVING INTO MODULATED SHORT DELAY EFFECTS
LET'S REVIEW WHAT DELAY IS AND WHAT ARE THE KEY PARAMETERS OF DELAY..
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ON THE PICTURE YOU CAN SEE THE BASIC SCHEMA OF THE DELAY EFFECT
DELAY TIME: THE AMOUNT OF TIME THE SIGNAL WOULD WAIT BEFORE GOING TO OUTPUT
DRY/WET: A MIXTURE OF DRY (INITIAL) AND WET (DELAYED) SIGNAL.
FEEDBACK: HOW MUCH OF THE WET SIGNAL IS ROUTED BACK TO THE INPUT OF DELAY
WHEN THE DELAY TIME IS VERY LOW THIS LEADS TO THE EFFECT
WHICH IS CALLED COMB FILTER.
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SERIES OF NOTCHES OVER THE FREQUENCY SPECTRUM
USUALLY WE DO NOT WHANT THIS EFFECT TO APPEAR WHEN EECORDING:
YOU MUST BE CAREFUL WHEN PLACING YOUR MICS NEAR SURFACES LIKE WALLS, ETC.
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WHILE THERE ARE SITUATIONS WHEN WE WANT TO AVOID THIS COMB FILTER EFFECT
THERE ARE ALSO SITUATIONS WE CAN USE IT.
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SHORT DELAY EFFECTS:
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FLANGER: IS A COMB FILTER IN MOTION
PHASER: NOTHES IN MOTION
THE DIFFERENCE FROM FLANGER IS THAT THE NOTCHES COULD BE OF DIFFERENT SHAPES, ETC.
CHORUS: MULTIPLY DETUNED COPIES OF THE INITIAL SIGNALE
CREATES A SENSE - MULTIPLY PERFORMERS PLAYING SAME MUSIC
THANK YOU FOR WATCHING THIS!
CONTACT ME IN CASE OF ANY QUESTIONS (PAVEL.SHENDEROV@GMAIL.COM)
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